Sunday 29 April 2007

Faiz - Gulon mein rang bhare

Continuing with Faiz... another 'sweet' ghazal, often sung. The radif 'Chale' can, depending on construction, be used in the Indicative mood (as a declaratory statement), as well as in the subjunctive (expressing a wish) mood, leading to a delicious ambiguity in some of the shers.





gulo.n mei.n rang bhare, baad-e-naubahaar chale
chale bhii aao ki gulshan kaa karobaar chale

गुलों मे रंग भरे, बाद-ए-नौबहार चले
चले भी आओ कि गुलशन का कारोबार चले


"let the blooms fill with colour, let the first zephyr of spring flow
do come over, so the garden can get on with its daily business"

A plea directed at the Beloved, obviously.

A straightforward sher, the beauty of it lies in the way the first line, at first, sounds like the expression of a simple wish - may colour fill the flowers, etc. - the 'normal' sort of wish you would expect a poet to make. It is only when the second line hits you (and in the typical oral tradition of urdu poetry, this would happen after numerous repetitions of the first line, while the suspense builds up) that you realise that what the first line seemed to be wishing for is, in fact, nothing more than the 'day-to-day business' (कारोबार) of a garden, and what the poet actually desires is for is for the Beloved to come over to the garden, so that its 'normal activities' can 'proceed normally'!

It is only then that the actual compliment implied - that
in the absence of the Beloved, things are 'held in abeyance' in the garden - becomes clear!

SO much more romantic than simply telling the Beloved that she brings colour and freshness into his life, isn't it?




qafas udaas hai yaaro.n sabaa se kuchh to kaho

kahii.n to bahr-e-khudaa aaj zikr-e-yaar chale

कफ़स उदास है यारों सबा से कुछ तो कहो
कहीं तो बह्र-ए-खुदा आज ज़िक्र-ए-यार चले


"Gloom reigns in the cage, my friends; do say something to the breeze
somewhere, for God's sake, (there must be) discussion about the Beloved today!"

We return to the familiar 'kafas-gulshan' stylisation of a bird caged away from its garden (by implication, the lover separated from his Beloved).

"The cage is sad", he says, implying that the inhabitant of the cage (the poet himself) is dejected... and as a 'remedy' to his sorrow, he urges his friends to make a request the breeze - that it should seek out a location where the Beloved is being discussed. The implication being that his imprisonment would become bearable, if he could even enjoy a breeze that comes from such a place, and hence has picked up strains of this conversation along the way. Definitely hyperbole, but nice!

'bahr' is a Persian preposition, conveying a sense of 'on account of', or 'for the sake of'. Bahr-e-Khudaa would translate almost literally as the exclamatory 'for God's sake!'






kabhii to subh tere kunj-e-lab se ho aaghaaz
kabhii to shab sar-e-kaakul se mushqbaar chale

कभी तो सुब्ह तेरे कुन्ज--लब से हो आगाज़
कभी तो शब् सर--काकुल से मुश्कबार चले

"(at least once) let the dawn commence from the corner of your mouth
(at least once) let the night be rendered fragrant by your curled tresses"

'i wish there was at least some occasion when the morning was "set into motion" or "inaugurated" by the corner of your mouth' is how the first line literally reads.

To be woken up by a morning kiss from the Beloved seems almost too much to ask for, in the general scheme of things in the Ghazal universe! If wishes were horses...!



baDaa hai dard kaa rishtaa, ye dil gariib sahii

tumhaare naam pe aayenge ghamgusaar chale

बड़ा है दर्द का रिश्ता, ये दिल गरीब सही
तुम्हारे नाम पे आएंगे गमगुसार चले


"the ties of pain run deep; poor as this heart is
comfort-givers will come along, thanks to your name"

What a beautiful sher! I've read some truly ridiculous interpretations of this one on the internet, though!

In effect, the sher wears a sadly sarcastic note - the poet informing the Beloved about the deep fraternity that exists among those who have suffered the pain of her unfaithfulness... hence, even though his impecunious heart has little to offer to anyone, the mere spreading of the word that his pain is caused by the Beloved will cause (similarly suffering souls) to rush to his comfort!

There is a slight poetic rearranging of words in the second line which makes this (otherwise simple) meaning a little difficult to catch - the 'aayenge' is actually to be read after the final 'chale' as 'chale aayenge' (or 'will come over').





जो हम पे गुजरी सो गुजरी मगर शब्-ए-हिजरां
हमारे अश्क तेरी आकबत संवार चले


"i may have endured whatever i endured, but (on the) night of separation!
my tears left your future course adorned"

The implication (probably) being that (publicity about) the poet's copious tears during the night of separation would tend to further enhance the fame of the Beloved.

In an alternative reading, the sher is addressed to the 'shab-e-hijraan' itself - and the poet says that his tears would adorn the future of the (henceforth
famous) 'night of separation'!

In either interpretation, it is sweet.


हुज़ूर-ए-यार हुई दफ्तर-ए-जूनून की तलब
गिरह मे लेके गरेबां के तार-तार चले


"The Court of the Beloved (conveyed) the desire for (seeing) the 'documentation of infatuation'
(Tied) in a knot (I carried) the tatters of (my) collar"

Lovely!

There is such delicious abjectness here... The Beloved's Court commands that the 'case file' proving the (poet's) infatuation be produced before it; the poet carries a small pouch containingthe knotted remains of his collar, which he has (in the time-honoured 'chak-e-garebaan' stylisation of Urdu poetry) torn to bits in amorous frenzy.

'Daftar' is now used colloquially to mean 'office', but originally stood for a 'file' or 'folder' containing official papers, such as a legal brief. In Indian Government offices, there are still some persons nominally employed as 'daftaris' who are supposed to file papers and diarise their movement (although they usually just hang about eating peanuts and chewing paan!). The French word 'bureau' (now meaning office) has a similar etymology, i believe. So does the word 'budget' which originally stood for a bag containing official papers.



maqaam koi Faiz raah mei.n jachaa hi nahii.n

jo kuu-e-yaar se nikle to suu-e-daar chale

मकाम कोई फैज़ राह मे जचा ही नही
जो कू-ए-यार से निकले तो सू-ए-दार चले


"no location/station en route caught the fancy, Faiz
after quitting the Beloved's lane, (I) walked on (directly) towards the gallows"

Another beautiful Maqta by Faiz...

Apart from the Beloved's lane, the poet has little interest in setting up abode anywhere; banishment from that privileged neighbourhood is as good as a sentence of death!

The lovely internal rhythm of the final line deserves special savouring!

59 comments:

  1. Thank you so much yaar! You have made me a fan of Faiz instantly.

    ReplyDelete
  2. This comment has been removed by a blog administrator.

    ReplyDelete
  3. Thank you so much yaar! You have made me a fan of Faiz instantly.

    ReplyDelete
  4. Wonderful explanation...especially the deft use of the english language...the references to the beloved is a master stroke...was Faiz a follower of some sufi saint ?

    ReplyDelete
    Replies
    1. I think for Faiz the beloved also meant his country

      Delete
  5. Beautiful Explanation !
    Thanks a lot

    ReplyDelete
  6. Beautiful Explanation !
    Thanks a lot

    ReplyDelete
  7. Beautifully explained.... Draws me into further enchantment by this ghazal

    ReplyDelete
  8. looking forward to reading more interpretations from you!

    ReplyDelete
  9. Excellent. Such a beautiful rendering I have not come across in any one of the English translations to Faiz.

    ReplyDelete
  10. absolutely! really helped me to truly savor this ghazal finally having only vaguely understood it earlier..
    thanks

    ReplyDelete
  11. absolutely! really helped me to truly savor this ghazal finally having only vaguely understood it earlier..
    thanks

    ReplyDelete
  12. The last sher is usually sung as " makaam Faiz koi"

    ReplyDelete
  13. outstanding....very strong command over all the languages and expressions.

    thnks

    ReplyDelete
  14. outstanding....very strong command over all the languages and expressions.

    thnks

    ReplyDelete
  15. V nice.. ur explanation makes the Ghazal even more beautiful. . Hats off.

    ReplyDelete
  16. Very well explained! your blog is surely as much a gem as this Sher

    ReplyDelete
  17. is there a compendium anywhere of faiz's poems in urdu, hindi, (transliterated) english, english, with footnotes? it would make the poetry extremely accessible to a wider audience. i started on one but didn't get past about 4 poems. a wikipedia format would work (i've seen this for latin poetry). thanks for the nice post!

    ReplyDelete
  18. Thanks for your superb explanation. Perhaps a Sher could be written about Farsi words making both beautiful and difficult to uderstand :)

    ReplyDelete
  19. Thanks. Awesome Explanation.

    ReplyDelete
  20. Deewaan sahab dil khush ho gaya aaj ye padh ke.
    Kya khoob samjhaya aapne, jitni taareef kari jaaye kam hai.
    Bohot Bohot shukriya iss Takalluf k liye.

    ReplyDelete
  21. yaar I am your fan now............. if possible, just drop me your email at least for further correspondence.....
    Seriously, just so that I can ocassionally correspond you to rekindle my love for urdu poetry.
    su.sh2396@gmail.com

    ReplyDelete
  22. thank you much. made me appreciate urdu poetry

    ReplyDelete
  23. Too good !!! Thanks for sharing. May god bless you !!

    ReplyDelete
  24. Great translation, and not just literal translation but the implications of the lyrics as well
    It is easy to do word to word translation but very difficult to draw implications and explain them
    Thanks a lot

    ReplyDelete
  25. I am in love with the words. The ones by Faiz and the ones by you!

    ReplyDelete
  26. Beautiful. The translation and interpretation are much appreciated.

    ReplyDelete
  27. This is the best translation I've found! Wow

    ReplyDelete
  28. very good translation
    Thank You so much

    ReplyDelete
  29. Kya baat hai!
    I thought I understand these "words"...
    But your "perspective"... Awesome

    ReplyDelete
  30. The sher : Huzoor e yaar..
    It may be hinting towards the Qur'anic story of Yousuf and Zalaikha. Here is the concerned part:

    (24) They both ran to the door and, in the struggle, she tore his shirt at the back. They found her husband at the door. She cried, "Shall not the man who wished to violate your wife be thrown into prison or sternly punished?"
    (25) Joseph said, "It was she who sought to seduce me." One of her household testified, "If his shirt is torn at the front then she is speaking the truth, and he is lying.
    (26) But if it is torn from behind then she is lying, and he speaks the truth."

    Zulaikha was, as you must have inferred, a married woman. Her husband found out that Yousuf's collar was torn from behind.

    ReplyDelete
  31. This comment has been removed by the author.

    ReplyDelete
  32. Gulo.n me.n rang bhare, baad-e-naubahaar chale was written by Faiz in Montgomery Jail on 29 Jan 1954 later published in Zinda Nama. I made this translation in light of my understanding of the poet's travails with the hukumat (leadership) of Pakistan. He is talking in this ghazal about his plight and his yearning for a dawn of spring/ enthusiasm. If you would like to read, please visit https://www.linkedin.com/pulse/faiz-ahmed-gulon-men-rang-bhare-translation-vineet-kapoor

    ReplyDelete
  33. The best translation ever !

    ReplyDelete
  34. Very beautifully explained! You have amazing command over the Urdu language!

    ReplyDelete
  35. Bahut shukriya...Daftar e junoon wala explanation bahut hi badhiya hai...Abhi tak samajh nahi aaya tha theek se... Shukriya...

    ReplyDelete
  36. This comment has been removed by the author.

    ReplyDelete
  37. I have done a very different translation, and I believe this was written for Jinnah sahab as Faiz sahab was missing the vision of Jinnah in Pakistan's blooming (chale bhi aao ke gulshan ka karobar chale). aapki nazar karta hoon https://vineetrajkapoor.com/2016/06/10/poetry-faiz-ahmed-faiz-gulo-n-me-n-rang-bhare-translation/

    ReplyDelete
  38. My goodness. What a beautiful explanation. Wow I admired the gazal for its beautiful rendition by Mehdi Sahab. Now I will have more sense of appreciation.

    ReplyDelete
  39. Loved the detailed explanation, and the way you put it into context for the modern readers. Look forward to reading more such posts. Thank you!

    ReplyDelete
  40. There can not be a better explanation of the ghazal. Only a person with deep knowledge and love for fellow human beings can do this. My salute.

    ReplyDelete
  41. Thank you for educating us! Beautifully explained

    ReplyDelete
  42. Beautiful explanation! Wow!

    ReplyDelete
  43. beautiful explanations! thanks and kudos
    in the following lines "faiz' has been juxtaposed with 'koi' in your blog please

    maqām 'faiz' koī raah meñ jachā hī nahīñ

    jo kū-e-yār se nikle to sū-e-dār chale

    ReplyDelete
  44. Such explanations keep readers motivated. Thank you.

    ReplyDelete
  45. You deserve a lot of respect for not only the beautiful translations but also for your deep understanding of love itself

    ReplyDelete
  46. One of the best explanations of any poetry I've seen. Gives the literal meaning plus the interpretation in a very nice way. Most translators forget one or the other.


    ReplyDelete
  47. If I am not wrong then this gazal was written in jail by Faiz. The underlying idea in this gazal is about freedom of this country and those fighting for it. So the beloved in this gazal is country. This gazal is a masterpiece of chhayawad type of poetry, an ingenious way to write patriotic literature to avoid sensorship by British Raj to prevent such literature from reaching the masses. Last line is the final culmination of martyrdom! Absolutely brilliant!

    ReplyDelete
  48. I am sorry, it is about the freedom from oppressive rule of Pakistani govt. on its people and not from British Raj.

    ReplyDelete
  49. Awesome love you for beautiful expression

    ReplyDelete
  50. tq for this beautiful work :)

    ReplyDelete
  51. Just came across this. So beautiful that I was disappointed when it ends.

    ReplyDelete
  52. Loved the in-depth explanation you've given. This made reading faiz more enjoyable. Thanks!

    ReplyDelete